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The year 2021 is finally over, so we decided to look back at the most disappointing Movies of the year. 

Venom: Let There Be Carnage

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My expectations were high for this. The first one was fun, and the trails for the sequel looked fun… So what happened? I don’t know. The film starts off promisingly enough with an entertaining set piece involving “Eddie” (Tom Hardy) and Michelle Williams (“Anne”) — aided by some pithy one-liners from an unseen “Venom” — but once we are introduced to “Cletus” (Woody Harrelson) the movie hits a sour note.

For this angry CGI fest, the entertaining elements, humor, and – dare I say it – the symbiotic relationship/tolerance of man and amoeba are lost. In addition to this dry mix is that Harrelson’s childhood sweetheart “Frances” (Naomie Harris) alias “the Scream” (remember the symbiotes don’t like sound or fire), will have her own agenda against copper Mulik (Stephen Graham) and it all boils down to a very good looking film – but one with an almost nonexistent plot that detracted from the formidably sarcastic “Venom”.

Hardy rarely appears on the show, now that I think about it. Even though it had a pace that passed 90 minutes effortlessly, I was really disappointed in it.

Black Widow

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This isn’t a superhero movie. It’s more like a distaff James Bond movie with a lot more trauma.

Black Widow assumes you’ve seen all the other MCU movies and know who everybody is. In addition, it seems to assume we’ll understand the little story it tells in the credits, which is more impressionistic than informative. For the first half hour, I was pretty lost. There was a fight scene on a bridge that I thought I’d seen before, even though the movie just came out, and I had to wait a long time until that sense of deja vu ended.

I wasn’t sure if I wanted to keep watching until Florence Pugh was introduced as the protagonist’s sister and the movie began to explore family and moral grey areas. Although no one has x-ray vision, the final half-hour of explosions and twists is a thrilling action sequence.

Although the movie’s insistence on not explaining things to non-MCU fans (a practice it revisits in a final coda) prevents it from being as good as it could have been, it was still a letdown in general

The Matrix Resurrections

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It must be tempting to bring out the old cash cow for one last recording, but this is too much temptation.

Not so much because the story is bad (it is), but because it takes far too long for Neo (Keanu Reeves) and Trinity (Carrie-Anne Moss) to get going. Reeves has mostly lost his freshness and vigor, and the baddies exude the sour smell of wet lettuce. While its supporting cast is, at best, bizarre – Jonathan Groff and Neil Patrick Harris would do better in familiar roles, and Jessica Henwick’s “Bugs” character was far too flat, even though she was feisty.

Graphics, time-shifting themes, and action scenes are all old hat. Lots of gun-toting, but no innovation. First time around, it was entertaining and escapist, but now at 212 hours, it is slow and repetitive, with some really wilting dialogue, and the real-time/their time narrative just bores me. Although it looks fantastic on a big screen, I fear that what little it has won’t work at all on television, but otherwise, it’s just bad.

Resident Evil: Welcome to Raccoon City

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As part of its plans to level the town, the umbrella corporation abandons the eponymous town. A series of potentially lethal encounters leads rookie police officer “Leon” (Avon Jogia) to reunite with fellow officer “Chris” (Robbie Amell), his sister “Claire” (Kaya Scodelario), and their colleague “Valentine” (Hannah John-Kamen).

Since I’ve never played the game, I viewed this as a stand-alone piece of cinema, and it’s disappointing.Despite the visually appealing combat scenes, there is never any doubt as to who will prevail against seemingly unstoppable numbers of zombies. Neal McDonough looks more like an extra from the “Scorpion King,” and the ending could not come fast enough.

Certainly fans of the games will enjoy it much more than I did, but I simply found this to be a poorly-directed shoot ’em up with nothing original to it, and no amount of swearing and shouting is going to make Robbie Amell a convincing actor.

Home Sweet Home Alone

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“Home Sweet Home Alone” is a Comedy 0 Family movie about a young boy who is accidentally left home alone while having to defend his home against a couple who believe he stole a valuable doll. In order to keep them out of his home, he must make every effort to defend it.

Since I did not have any expectations from this movie, I was not disappointed at all. I had already watched all the previous movies of “Home Alone” and, except for the two first original movies, all the others were simply average or slightly below average. Even though Dan Mazer’s direction was not the best, he tried to connect his film with the original “Home Alone” movie from 1990. Archie Yates’ portrayal of Max Mercer was simple but good, while the rest of the cast didn’t meet their potential but even if they had, I doubt it would have saved the film. I hope the movie “Home Sweet Home Alone” will be the last in the franchise and a bad copy of the original “Home Alone”.

Space Jam: A New Legacy

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The turkey of the year has to be this one. The movie is such a shameless example of bad storytelling, bad acting, and product placement that they might as well have handed you a goodie bag as you (prematurely) left the theater.

The plot revolves around the kidnapping of the son of LeBron James by an evil AI. He can only be rescued by LBJ and “Bugs Bunny” putting together a team that can beat a team selected by the AI. While it is quite nice to see some of Warner’s cartoon characters on screen again, any nostalgia that evokes is soon washed away by the sheer naffness of this whole enterprise. Anyone can guess who this is for – but it sure wasn’t for us.

Snake Eyes

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The trailers looked amazing, and I was so excited to see it. High octane for sure, but the total absence of a plot made it hard to connect.

I bet you’ll enjoy this if you like random fight scenes. They go from one to another, but sometimes you’ll find yourself checking your phone for a distraction. It was as if no one bothered to read a first draft of the script and just thought, “OK!”.

This movie can’t be boring, but that’s the story I’m afraid. Andrew Koji was the best part for me. I walked out of the cinema after seeing the credits roll, wondering what on earth I had just seen.

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